![]() Why is that? Is it mainly the artistry of the animators at Dreamworks? Or is there something in the software that helps (or hinders)?įor myself, I feel that as you add elements and complexity to the animation the timeline very very fast becomes unmanageable in Poser, and when you see 300 little boxes on the animation pane it gets very very difficult to remember what is what - I always find it much easier to animate the first keyframes, as everything is clear, than refining and improving existing segments, as everything is crowded. ![]() For some reason, as you carry the animation through its stages in Poser it doesn't gain grace. It should be possible, but yet it's incredibly difficult to do that efficiently in Poser. ![]() Yet, animating those 30 seconds with the same grace and fluidity, that's where the "pig twisted its tail", as we say in my native country. So Poser should meet the rendering requirements to make the first 30 seconds of that movie efficiently. Even the eyebrows and eyelashes are solid color, and the shadowing is static! 30 seconds fps = 720 frames, and Poser can render those within a few minutes on that quality. Poser can very very easily make that one frame, exactly as it is (given the rig, that is). It takes dozens of people to make a movie, but one animator should be able to make the first 30 seconds of that movie within a reasonable time. True, that's why I referred to the first 30 seconds. And let's not forget, Pixar used to take almost 5 years to do a film because they would take several hours to days to render one frame. And a large team of professionals working on them. The difference is that companies like DreamWorks and Pixar have enormous render farms. Static items weren't a problem for me.Īrtwork and 3DToons items, create the perfect place for you toon and other figures!ĭue to the childish TOS changes, I'm not allowed to link to my other products outside of Rendo anymore :( I've did some static ones, but never animated Poser stuff in Muvizu or imported animated stuff. In theory you can import Poser items into Muvizu. It was really fun to do though and Muvizu made it a lot easier then doing it in Poser or Vue. Took me a while to create,but only because my computer at that time was slow in rendering and didn't have enough RAM. I once did a full animated story with it about10 minutes. What you're looking for is something like Muvizu It's pretty easy to use and gets you great results. You would need to animate frame by frame to get it done. Poser can do that, but it's not going to be easy and a lot of work. ![]() what do you think? And then comes the fatidical question - why can't Poser offer the same? (d) Easiness to rig different clothes to your character (b) Automation of walking, grabbing and holding (a) Allowing a team to work on parts of the animation (like: one does movement, one walking, one the talking, one the cameras, one the camera) ![]() So that's the question - what do you think are the most important things the Dreamworks software probably has that makes it easier for the animators to make such beautiful work? Now, Dreamworks probably has several millions (or tens of millions) of dollars invested in special software, and that certainly adds something to the animation. Yet, I fell in love with it on the first 5 seconds - it's incredibly charming, has effortless movements, endearing expressions and an easy fluidity that you can clearly feel - that's the work of a master animation group! The beautiful song helps too, but let's keep the song aside. Now, I understand Dreamworks does have a lot of special software in there, but this short is (probably deceptively) simple - no photorealism, no complicated textures, no cloth or liquid simulation (that I could notice), no crowd simulations, and only one short metaball effect (from the pie fillings, could be done from normal spheres too I think). That is from Dreamworks (specifically, from DreamworksTV, a cable series in Canada distributing shorts from - you got it - Dreamworks). Consider the first 30 seconds of this short: ![]()
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![]() ![]() Calcifer, Heen, and Turnip head are such adorable and fun characters to watch (and Heen and Turnip have pretty much no lines in the whole movie). I personally adore almost all the characters, though I actually like Sophie the least of all. Each character has their good points, even the Witch of the Waste. I think all the seiyuu in the movie were good as well.Ĭharacter: The characters in this movie make up for all the lack of closure in the plot. ![]() Hearing Sophie's bones crack as an old woman is really painful, and as much as I don't like Sophie's voice, her seiyuu does a great job at portraying the character and how she fluctuates between young and old so frequently throughout the movie. Aside from the beautiful soundtrack, the sounds in the movie are so dead on. I love every single background music in this movie, and the only song I don't like so much is the theme with the words that plays at the end. Sound: I'll just start off by saying the music in this movie is so beautiful. Overall this is the most impressive Miyazaki art I've seen and I really haven't seen much that can top it. I also have to say that I am impressed with how Sophie is animated, and how it is so easy to tell when she is aging/regressing just simply by looking at the animation (her voice also helps). Even after watching the movie so many times I cannot fully explain some scenes and still have questions about the movie.Īnimation: The animation is absolutely stunning and many of the backgrounds look realistic. There were also a lot of small things throughout that they could have done a better job at explaining. Overall, I felt many of the war scenes were overdramatized and left a lot of questions. Though I have to admit I see more flaws with the story after reading the book (even though I find the movie much better). Only part I felt was lacking in this movie. Story: the story is about a girl named Sophie who gets turned into an old woman and ends up living with a wizard named Howl in his moving castle. And yes, it may seem like I rate highly but for some i was between 9 or 10, and I have explained things that I disliked that may not reflect in my number ratings. ![]() I have watched this movie many many times since it is one of my favorite Miyazaki films, so why not write a review? I have also read the book, which takes a much different direction than the film does. In an endeavor to return to normal, Sophie must accompany Howl and a myriad of eccentric companions-ranging from a powerful fire demon to a hopping scarecrow-in his living castle, on a dangerous adventure as a raging war tears their kingdom apart. Unfortunately, this encounter, brief as it may be, spurs the vain and vengeful Witch of the Waste-in a fit of jealousy caused by a past discord with Howl-to put a curse on the maiden, turning her into an old woman. However, Sophie's simple life takes a turn for the exciting when she is ensnared in a disturbing situation, and the mysterious wizard appears to rescue her. Sophie, as the plain daughter of a hatmaker, does not expect much from her future and is content with working hard in the shop. That castle is home to the magnificent wizard Howl, infamous for both his magical prowess and for being a womanizer-or so the rumor goes in Sophie Hatter's small town. ![]() That jumbled piece of architecture, that cacophony of hissing steam and creaking joints, with smoke billowing from it as it moves on its own. ![]() ![]() ![]() ![]() ![]() The settings can be toggled to let users decide whether using Snap shows which other windows can be snapped, if adjacent windows will be automatically resized, and whether Snap will make windows adjust to fill available space. Most Snap functions are available using either the mouse, touchscreen, or keyboard, with some being restricted to just one. Windows Aero Snap and how to use itĪero Snap (shortened to “Snap” in later Windows documentation) allows you to drag windows to the sides or corners of your screen, and they will change size automatically. Task View is a quick way to create virtual desktops to simplify and organize your applications and then quickly select the one you want to work with and configure multitasking functions and review document and program activity from the last 30 days. Whether your work regularly involves handling several application windows and multiple virtual desktops at once or you want to go back and forth between select programs on your Windows 10 PC, Task View and Aero Snap are essential tools.Īero Snap is an easy way to arrange any open windows on your desktop with your keyboard, mouse, or the Snap Assist function and has been around in various forms since Windows Vista. With computers having so many functions that we rely on for business and relaxation, it can be challenging to keep track of your work and easily navigate between programs, documents, and applications. If you have any other questions about the technology that your business relies on, leave them in the comments or give us a call at 81. Hopefully, you have a better idea of what Windows 10’s virtual desktop options have to offer. Closing one of these desktops will simply cause any open applications to jump to another open desktop instance. Be warned, some apps can only be opened once in a system, so trying to open another version of these will pull you into the desktop where it is already running. When working in these desktops, you should see no difference in performance. These desktops are your different instances of Windows 10 and can be switched between by either returning to Task View or using Ctrl + Windows Key + Left/Right Arrow to cycle through your open desktops. In Task View, you’ll see the option to add a New Desktop.Alternatively, Task View is accessible through Windows Key + Tab. If the button isn’t there by default, right-click on the taskbar and select the Show Task View button. Start by clicking on the Task View button in your taskbar.Opening a virtual desktop in Windows 10 almost couldn’t be simpler. Doing so can provide some significant benefits to your usage of Windows in terms of task organization and application management, along with other use cases that business and personal users alike could find an advantage in. Here, we’re discussing the feature built into the Windows 10 operating system that effectively opens a separate session of Windows 10 alongside your first one. Most things you hear called “virtual desktops” are the product provided as part of a Desktop-as-a-Service (DaaS) solution. Understanding the Virtual Desktopīefore we go on, we should clarify that we’re discussing a specific variety of virtual desktop. Found near the Start button in your taskbar, the Task View button enables you to create and manage these virtual desktops, which we’ll discuss here. One such capability: the use of a virtual desktop. With Windows 10, you have no shortage of features and capabilities to take advantage of. ![]() ![]() "But either way you've got to find a way to put the puck in the net." "Some nights you see more quality than quantity and they don't go in, and other nights it's the reverse," Motte said. The shot attempt were 47-16 and shots on goal 28-9 at that point. "You're not going to complain when you had the puck as much as we did," Green said. The former Blue Jackets forward scored his first of the season with a tip of a shot from the blue line by Quinn Hughes. It's tough to lose when you play well, especially when things are going the way they are."Īdam Boqvist put the Blue Jackets ahead 2-1 at 6:17 of the second period, scoring from a low angle on the right side on a rebound of a Cole Sillinger shot. They played a tough game and they're going to have to bounce back. "I thought it was one of our better games of the year," Vancouver coach Travis Green said. The Canucks have scored three goals in their past three games and more than three goals in one of their past nine games. It felt like we stole this one, to be honest." ![]() "Elvis gave us a chance to win," Nyquist said. Vancouver had a 13-4 shots on goal advantage in the first period. Justin Dowling forced a turnover on a Blue Jackets exit and passed to Podkolzin in the right circle. His second shorthanded goal in 588 NHL games came after he intercepted a pass in his zone and fended off a poke check by Elias Pettersson before scoring stick-side. Gustav Nyquist scored at 13:54 of the first period to give Columbus a 1-0 lead. ![]() We have to find a way to be better and win hockey games. "The guys in the room have got to figure it out. There's no way around it, but the only way is through," Vancouver forward Tyler Motte said. Thatcher Demko made 17 saves for the Canucks (6-13-2), who have lost three straight and are 2-8-1 in their past 11. ![]() Video: Podkolzin rips puck home late in 1st We will take the two (points) all day long. "For the guys, I'm thrilled they found a way to win it. What I said was, 'Let's just find a way to this.' "Some of these nights you're not even mad, you can just tell they don't have it," Columbus coach Brad Larsen said. The Canucks had a 72-42 advantage in shot attempts. 14 Utah, Pac-12 championship.Jack Roslovic scored the tiebreaking goal in the third period for the Blue Jackets (12-6-0), who have won five of six. 16 Houston, American Athletic Conference championship. The Roadrunners were thumped by North Texas on Saturday to end their unbeaten regular season, but they will still host the Conference USA title game next week. UTSA tumbled out of the rankings after its first loss of the season. Wisconsin dropped out after its seven-game winning streak was snapped by Minnesota. The Wildcats had a run of five weeks in the rankings. 25 Kentucky returns after routing rival Louisville on Saturday. The Tigers have climbed back, winning seven of their final eight games. 22 Clemson (9-3) is back in the Top 25 after falling out after the last weekend of September. 1 rankings ended in a national championship game loss to Clemson and the Crimson Tide finished No. If Georgia can beat Alabama in the Southeastern Conference title game next weekend and make a run through the playoff, it could break Alabama’s record.īut something to keep in mind for the Bulldogs: Alabama’s run of unanimous No. There are two more polls left this season, after next week’s championship games and then after the College Football Playoff national title is decided on Jan. The longest streak of weeks as unanimous No. Mississippi, Baylor and Oregon rounded out the top 10. The Tide had replaced Cincinnati the week before. 7 a week after it peaked at second last week. 6 and Ohio State tumbled five spots to No. Oklahoma State moved up two spots after beating Oklahoma for the first time since 2014. 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![]() ![]() She had a Hawthornden Fellowship in 2013 and a Bothy Project Residency at Inshriach Bothy in the Cairngorms in 2016. Lynn Davidson’s latest poetry collection Islander is published by Shearsman Books and Victoria University Press. James Brown’s Selected Poems was published by VUP in 2020. Bug Week and Other Stories recently won the Ockham NZ Book Fiction Award 2021. Her most recent poetry collection is Flow: Whanganui River Poems (VUP 2017). They work in Tech and spend a lot of time picking heavy things up and putting them back down again.Īirini Beautrais lives in Whanganui and is the author of four poetry collections and a collection of short fiction. For the last two years they’ve been working with Chris Tse on an anthology of LGBTQIA+ and Takatāpui writing to be released this year by Auckland University Press. They have just released their first book I Am In Bed With You. To the swell, to the ebb, to the well, to the sea.Īs you would traverse a stream, but ratherĮmma Barnes lives and writes in Pōneke / Wellington. To the roll, to the tug, to the roil, to the shell, To the stick, to the slick, to the sweep, to the twig, To the neap, to the deep, to the drag, to the fog, To the breadth, to the depth, to the tide To the chain, to the town, to the side, to the slide, To the rage, to the rod, to the rood, to the vein, To the surge, to the flood, to the blood, to the urge To the leave, to the oar, to the spring, to the tongue, To the dive, to the shore, to the grave, to the give, To the core, to the gorge, to the grove, to the cave, To the scum, to the moss, to the mist, to the grist, To the roam, to the rend, to the seam, to the foam, ![]() To the bend, to the wend, to the wind, to the run, To the shake, to the lift, to the fall, to the wall, To the rift, to the graft, to the shift, to the break, To the down, to the plain, to the green, to the drift, To the fell, to the wash, to the splash, to the rush, ![]() To the drip, to the weep, to the rock, to the rill, To the stone, to the hill, to the heap, to the seep, Except I’m the lake and I’m water myself. I don’t know how to communicate this with you in a way that you’ll understand. I’ve forgotten I’ve believed I’ve not existed before. I am instead still that teenager on the side of the road with a cello hard case for company. I am never located when I want to be located the most. Your eyes flicker and flutter under your eyelids as you try to find what’s lost, what’s gone forever. You say, as your brain seizes, that you have lost the way. The gravel shifts again with the long-range round echo of stones underwater. I want to know nothing, everything, just tell it all to me. The lake breathes and I breathe and the depth of both of us is able to be felt by finger, by phone, by feeling. I think of all the colours of water that look black, that look wine dark, that look like youth looking back at me. I think of the sound when you’re underwater and the gravel shifts beneath your feet. All lakes exist in the same space of memory. The lake surface is the lake surface is the lake surface. I am grateful to all the poets and publishers who continue to support my season of themes. The poems are not so much about water but have a water presence. And of course the poetry of Dinah Hawken, with her lyrical eye bringing the natural world closer, water a constant companion. Or read your way through Apirana Taylor’s poems and you will find they are water rich – and his poetry flows like water currents. The same can be said of Lynn Davidson’s glorious collections How to Live by the Sea and The Islander. Kiri Piahana-Wong’s sublime collection Night Swimming is like an ode to water. Some poets are particularly drawn to water. I hadn’t factored in leaving poems out when I came up with my theme-season plan. This was an impossible challenge: whittling all the poems I loved down to a handful. Unsurprisingly there is a profusion of water poems in Aotearoa – think the ocean yes, but lakes and rivers and floods and dripping taps. Look through my poetry collections and you will see I can’t keep the ocean out. Over the ensuing weeks in lockdown, I was able to return to that spot, my eyes on the water, my senses feeding on wildness and beauty. ![]() I breathed in and I breathed out, and I saved that sublime moment for later. I stood by the water’s edge as the sun was coming up. Before we went into level-four lockdown last year, I went to Te Henga Bethells Beach near where I live. ![]() ![]() ![]() ![]() If you don't know how, please refer to other courses on this site that explain how. Please do not forget to download Xcode before you start. This course is a must take for anyone that plans on doing in-out communication between the Apple Watch and the iPhone. Important: This is not a beginner level course, this is intended for people who already took my course on "Complete Apple Watch dev course by building apps" or for those who have completed our previous Apple Watch Apps video course tutorials on iOS Online Courses. This Knight Rider Voice Box Apple Watch App has been create for educational purpose only. Learn these priceless skills while building your amazing app. Create a KITT Knight Rider Voice Box for the iPhone and the Apple Watch app with Swift. These lectures teach you the ways to create communication between the Apple watch and the iPhone. You will learn how to design the user interface using Xcode, then program the code logic using Swift. In these video lectures you’re going to learn how to create this knight rider voice box command and have the Apple Watch communicate with the iPhone. With the apple watch and the iPhone it’s now possible to build and own the same piece of technology, and guess what? 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Like Swapfell Grillby, the war twisted his mind, but instead of torturing those who stumble upon him for money, he entices them with things that are worth the price and puts it toward rebuilding the family he lost above ground. ![]() Underswap Grillby was also part of the war, as you probably expected, but unlike Underfell Grillby, he wasn’t created for it and instead joined the war while he was just on the outskirts of childhood. Since monsters are made of love, the LOVE he was racking up effected him severely and he went insane when monsters were trapped under the mountain and he no longer had anyone to take his grief and anger for fallen comrades out on. In fact, sometimes he was the only monster to return from an attack on the human forces. Swapfell Grillby was deep in the throes of the war since the beginning, being a rather old monster, and because of that, he became accustomed to the sight of monsters turning to dust all around him. He was never a child, and due to the unusual aging process of elementals, he is actually close to Sans’ age. He was a part of the war like most Grillbies, but he was created with fire magic (maybe even by the King and/or Queen) for the sole purpose of aiding monster kind in their fight for freedom rather than being born before the war. No one knows a lot about Underfell Grillby. That’s why he’s so good with anyone he interacts with: he’s been around long enough to reminisce with older monsters (like Gerson), yet become close friends with younger ones (like Sans). Undertale Grillby is old enough to remember the war, but he only joined at the tale end of it, like most civilians at the time had to as the monsters were corralled into the mountain. All the Grillbies have varying ages depending on their universes and circumstances of their lives.įor example, Outertale (and variations of it like Outerfell and Outerswap, etc.) Grillby is older than any other monster due to his previous existence as a star that was around long before any of the monsters he lives among. ![]() |
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